Her natural drawing abilities are the essence on which she relied in order to develop all of her art.

In her works she strives for purity of line and volume. Her brushstrokes have a free, impressionist quality. From the start up to the present her paintings may be included as part of the trend referred to as Mediterranean, which the painter Joaquín Sunyer introduced to us. In both her paintings as well as her works of sculpture, there is authentic recreation which, starting from reality, carries her personal breath and her expressive and aesthetic feeling.

Luisa Sallent does not create by formula, but rather by intuition. She intuitively finds her own order and her own measure. She discards that which is superflous so that nothing may alter the sobriety of the figure. It could also be said that all of her models have in commmon a certain natural beauty that she is able to bring out. Her nudes are chaste, without eroticism; sinless sensualism. This purity is the essence of true painting.

Her sculptures are rounded in their anatomical forms, and at the same time have that serene elegance of the Greek godesses who, from their places in museums, exhibit their unclothed beauty. Whenever somedody says to their that, as a sculptor, her art could be accused of being monotonous, she responds by sayint that she perceives each one of her works as an entity whose similarity to another sculpture is that which is established between one being and another.

She is an artist who has always known how to be true to herself. She has reflected in her canvasses and, also in her impressive sculptures, a sincerity that has never allowed itself to yield to the changing winds of the different styles that have prevailed during these times. In the end, the victory is for sincere art, for timeless art.

Lluïsa Borrás